All the oil paintings of Chase, William Merritt

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ID	Image	Painting(From A to Z)	Details
18940		A Friendly Visit	1895.
23269		A Friendly Visit (nn03)	1895 Oil on canvas 76.8 x 122.5 cm 30 1/4 x 48 1/4 in National Gallery of Art Washington DC
18942		Dorothy	1902, oil on canvas, Indianapolis Museum of Art
18937		Early Morning Stroll	1887-91, oil on canvas, private collection
18938		Hide and Seek	1888, oil on canvas, Phillips Collection, Washington D.C.
18934		In the Studio	1882, oil on canvas, The Brooklyn Museum
18932		In the Studio Corner	1881, oil on canvas, Canajoharie Library and Art Gallery, New York
18936		Long Island Landscape after a Shower of Rain	1885-89, oil on canvas, Indianapolis Museum of Art.
18941		Portrait of Kate Freeman Clark	1902, oil on canvas, Kate Freeman Clark Art Gallery.
18939		Shinnecock Hills	1891, oil on panel, Wadsworth Atheneum, Hartford
18944		Still Life with Brass Bowl	1903, oil on canvas, Indianapolis Museum of Art
18935		The End of the Season	1885, pastel on paper, Mount Holyoke College Art Museum, South Hadley, Mass.
18945		The Orangerie	1910, oil on cradled panel
18933		The Tenth Street Studio	1881-82, oil on canvas, Henry E. Huntington Art Collections & Botanical Gardens
18946		Woman in White	1910, oil on canvas, Indianapolis Museum of Art.
18943		Woman of Holland	1903, oil on canvas.

Chase, William Merritt
American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),